In this chapter / essay (chapter 4) Ward rehearses five movements of displacement, narrated in the Gospel stories, of the body of Jesus (we are here speaking of the soma typicon): the transfiguration (which shows that bodies can be transfigured), the institution narrative of the Eucharist (which shows that bodies can be transposed), the crucifixion, the resurrection, and the ascension (in which Christ’s body is expanded to fill the entire church and cosmos).

I really appreciate Ward’s critique, in light of his “nyssan” cosmology of materiality, of Calvin’s view of the Eucharist, presupposing as it does the spatial location of the body of Jesus in heaven.

What Ward is doing, quite rivetingly, is starting with Christology and then developing from there a Christian cosmology. If Christ’s body is somehow iconic or paradigmatic of all creation (Col 1:15; Eph 1:10, 22-3) then this makes sense. And, as I have been saying Ward has a precedent in this effort in Gregory of Nyssa.